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Friday, October 9, 2009

Artists to Watch For 2009 - natasha slayton

Natasha Slayton is making quick speed into the music scene with her sultry looks and heavy soul. She brings a broad view to the R&B game that will make even white people saying sexy nothings into their partners’ ear. She’s the daughter of the comedian Bobby Slayton (the” Pitbull of Comedy”), and I have witnessed firsthand the humor mixed with hard work that this family brings to the table.

Getting her big break in the entertainment industry, as a main character in the Caméra d’Or wining (that’s a Cannes award mind you) indie film Me You and Everyone We Know, she didn’t need daddy’s money to get out there and bust her ass. Not only can homegirl sing, but she’s got the dancing skills parallel to most of today’s most energetic young stars on the dance floor.


I’m back with the long awaited continuation of the Artists to Watch For 2009 series with 3 powerful woman figureheads for you to gawk and admire. All of these ladies lead a musical revolution in different genres, and had me at hello. Let’s have a look.

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She’s involved with her music every step of the production process, keeping it professional, while still making the boys’ heads turn. Recently, she’s been releasing a lot of her 12 track album on her MySpace page, to get listeners ready for the release coming (hopefully) this year.

Personally, my favorite song was Her, which I ask, where the hell did it go Natasha? But other funky hits are Put Your Lovin’ On Me, Tempted, and my new personal favorite, Splenda (an oldie but a goodie).



Michael Gleeson brings his talent to the table playing members of the guitar family, mainly the axe, while Ashley Heatherly plays the keys and jumps on the bass as well. Her backup vocal talents give me nostalgic feelings of what may be a female Dallas Green. Josh Hayes plays guitar, keeping it fun and flowing, with Chris Jones providing the much underrated drums to the mix. I think in the final cut of their debut LP, he will be one of my favorite members of the band.

From the slow, movie-intro-paced track Relic, to the fast, furious and beautifully written Ending of Control, I believe we may have something here. I look forward to their LP dropping sometime this summer to give you a “This Just In” report on it.

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